Yes, 451 degrees Fahrenheit. On the back cover of the ition of Fahrenheit 451 , which the Minotauro publishing house prepar in 1976, the sad impression that Bradbury experienc, shortly after having publish this novel, is record. An image that synthesiz the dehumanization that technology was helping to generate overwhelm the North American author: a woman walk abstractly, next to her companion, seemingly unaware of his presence, absorb, connect as she was, through a hearing aid, to the small portable radio that he carri in one hand.
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This was the dark symbol, let’s say, of technological alienation. A situation that, precisely, is what leads the society portray in the novel to abhor books, which are seen as useless objects that prevent the achievement of happiness by carrying the mortifying se of criticism and the lively b2b email list but tiring spring of reflection, sources of incessant human search and impulse of great cultural creations. A situation, likewise, that almost naturally – by legally enshrining an attitude that society itself fosters – ends in the establishment of a state policy that censors the use of books as a vehicle for the transmission of culture
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The story told in the novel takes place at a time when this prohibition has already been fully institut. But paradoxically – and as the recalcitrant Captain Beatty puts it – it has been the same tendency of society, direct towards immiate enjoyment and vain entertainment, towards evasion and worship of the machine, which has weaken interest in reading of humanistic content and ruc the book to the condition of a useless object . Books –those that open the way to the imagination and sharpen the America Phone Number critical gaze–, according to the opinion of the masses, overwhelm by stimuli that do not require mental effort, exacerbate the desire for knowlge, generating questions that go in search of answers that, In this context, defin by a narrow conception of what happiness is, they are consider useless and harmful.
